Once upon a time there was a prince who wanted to marry a princess, but she would have to be a real princess. He traveled all over the world to find one, but there was always something wrong. There were plenty of princesses, but whether they were real ones he could never quite determine. So he came home again and was very sad, for he so much wanted to have a real princess.
One evening a terrible storm blew up. Lightning flashed, thunder rolled, and rain poured down in torrents. Suddenly a knock came at the city gate, and the old king himself went to open it. There stood a princess, bedraggled and dripping wet. The water ran in streams from her hair and her clothes, and yet she declared she was a real princess. Well, we shall see about that, thought the old queen. But she said nothing. She went into the bedroom, took all the bedding off, and placed a single green pea at the very bottom of the bedstead.
Then she took twenty mattresses and laid them on top of the pea, and then twenty feather beds on top of the mattresses. On this the princess had to lie all night. In the morning she was asked how she had slept. 'Oh, terribly badly!' said the princess. 'I have hardly closed my eyes all night. Heaven knows what was in the bed. I was lying on something hard, and I am black and blue all over. It is simply dreadful!'
Now they could see that she was a real princess, because she had felt the pea through twenty mattresses and twenty feather beds. Nobody but a real princess could be so sensitive. So the prince took her for his wife, for now he knew that he had found a true princess. And the pea was put in the royal museum, where it may still be seen, if no one has taken it. And that was a true story.
Record your thoughts, motifs you noticed, or personal connections to this tale.
The story may have been inspired by a Swedish folk tale Andersen heard as a child, though he gave it his characteristic light humor.
Reviewed by
Dr. Eleanor Vance, Folklore Studies
Last updated
April 30, 2026
Sources & References
Explore how this Andersen tale transforms across different cultures and languages.
| Language/Region | Cultural Context | Key Features | Story Length |
|---|---|---|---|
en Denmark | Europe The story may have been inspired by a Swedish folk tale Andersen heard as a child, though he gave it his characteristic light humor. | Unique cultural note about Europe traditions More detailed version Includes key takeaways Includes FAQ section | 331 words |
fr France | Western Europe Cette histoire peut avoir ete inspiree par un conte folklorique suedois qu'Andersen avait entendu pendant son enfance. | Unique cultural note about Western Europe traditions More detailed version Includes key takeaways Includes FAQ section | 337 words |
es Spain | Southern Europe Esta historia puede haberse inspirado en un cuento folklorico sueco que Andersen escucho de nino. | Unique cultural note about Southern Europe traditions More detailed version Includes key takeaways Includes FAQ section | 311 words |
zh China | East Asia 这个故事可能受到安徒生童年听过的瑞典民间故事的启发。故事以轻松幽默的方式讽刺了贵族阶级的虚荣. | Unique cultural note about East Asia traditions More concise version Includes key takeaways Includes FAQ section | 4 words |
I love how this variant emphasizes the role of the magical helper. It's so different from the version I grew up with!
The ATU 510A classification really helps in seeing the structural similarities with Ye Xian. Fascinating stuff.
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